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This aims to play the same basic role of on-sensor phase detection: a way of assessing the distance the camera needs to focus on, so that it can rush the lens to near that point before using contrast-detection to establish perfect focus.The camera also features an in-camera Raw conversion option, which is a very welcome addition, letting you tweak a range of image parameters after you've taken a shot, applying different noise reduction and Photo Styles or making adjustments to brightness or the highlight and shadow response.The only other way of achieving this level of reach with an effectively brighter aperture would be an APS-C DSLR with a superzoom like the Sigma 18-250mm f/3.5-6.3 DC Macro OS HSM or Tamron 16-300mm F/3.5-6.3 Di II VC PZD Macro (most closely represented by the Nikon 18-200mm shown here) - a combination that will be considerably larger, though can be had for similar amounts of money.Just acquired the FZ1000 and I'd like to make one comment about the method of exposure compensation that was mentioned in the review as a negative.I normally run in Program mode then dial in compensation and aperture/shutter speed changes as needed.

The FZ1000's maximum aperture drops off very quickly, as soon as you start to zoom, and by around 150mm equivalent, it's a whole stop slower than the Sony RX10.To stop the whole thing becoming enormous, the FZ1000's lens is slower than the Sony's: its maximum aperture rapidly drops from F2.8 towards F4.0 as you zoom in, but there are plenty of people who'll accept that decrease in return for the additional range.In spirit, though, the large sensor, long zoom and articulated screen can't help but recall the FZ50, which offered a similar zoom and aperture range, despite featuring a much smaller 1/1.8"-type sensor.This reduces but doesn't abolish the gap in price between the two cameras, and it'll be interesting to see what street price the Panasonic settles to, after a few months.Its use of a fast readout sensor and the four-core Venus processor means the FZ1000 becomes one of the first sub-00 cameras to capture 4K video.

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