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The cult film opened with an infamous credits sequence that teasingly stripped French comic-strip heroine Barbarella (Jane Fonda) of her black space-suit outfit in zero gravity. The film was essentially a candid chronicle of one day in the life of handsome, heroin-addicted bisexual hustler Joe (Joe Dallesandro) in New York City.

It starred Frank Sinatra as dedicated police sergeant Joe Leland working within a homophobic police force. I had had only two experiences before, once in college and once in the Army. Oh God, twisted faces, outcasts, lives lived in shadows always prey to a million dangers. I was raised in a family that would not even admit that there was such a thing as a homosexual in this world.

In a fantasy sequence, she came up behind him at the jukebox and animalistically taunted him: He contemplated kissing her, but was fearful of getting too close, during their ritualistic mating (using the metaphor of two tigers); their love-making was accompanied by growls, sniffs, clawing, swipes, hissing, and biting - suddenly, they appeared totally naked as they rolled around and wrestled each other on the floor.

In another scene, reportedly the first instance of a full-frontal female nude passed by the British Board of Film Classification, the meek young wife of the House Master Mrs.

The title character also made love with the aid of a gigantic 'orgasmatronic' type machine (an organ of love) - and was sentenced to death by multiple orgasm (delivered by the 'Excessive Machine'). It may change your tune as well." Barbarella: "Oh goodness, what do you mean? He also spoke to ex-girlfriend Terry (Geri Miller), a stripper who announced that she was considering breast implants to help get more customers ("I know they're too little, especially for dancing topless"). Director/co-writer Brian De Palma's third feature film (and his first major film) was an episodic, improvisational anti-war (and anti-military) satire of late-1960s events, manners and mores among the 'under-30' counter-culture.

Durand Durand/Concierge (Milo O'Shea) attempted to torture and kill Barbarella with pleasure by orgasmically "playing" her with the euphemistic pipe organ (with the tune "Sonata for Executioner and Various Young Women"). " Durand: "When we reach the crescendo, you will die - of pleasure. She also wanted Joe to become more interested in her breasts ("Joe, you don't seem to like them like you used to. De Palma later admitted that he was attempting to imitate the Novelle Vague films in France, including those of Jean Luc-Godard.

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