Dating 20th century

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In a series of wittily iconoclastic plays, of which George Bernard Shaw turned the Edwardian theatre into an arena for debate upon the principal concerns of the day: the question of political organization, the morality of armaments and war, the function of class and of the professions, the validity of the family and of marriage, and the issue of female emancipation.Nor was he alone in this, even if he was alone in the brilliance of his comedy.However, with sets for example, one piece can have the potter/decorator and the rest of the pieces in the set could have a generic mark.A teapot could have the full name while the cups may have the generic.In the case of the larger firms the mark also has publicity value and shows the buyer that the object was made by a long-established firm with a reputation to uphold; such clear name- marks as Minton, Wedgwood, Royal Crown Derby and Royal Worcester are typical examples.To the collector the mark has greater importance, for not only can he trace the manufacturer of any marked object, but he can also ascertain the approximate date of manufacture and in several cases the exact year of production, particularly in the case of 19th and 20th century wares from the leading firms which employed private dating systems.I will answer this question as best as I can, mainly because I haven’t considered it before!

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"It always amazes me what miracles can happen with a lump of clay in just the right hands" Many of the photos shown are in my collection. Because my blog traffic has grown, I will add marks from various other sources.

I will share what I learn about the kilns, artists, styles, and marks. ** NOTICE: I can no longer take readers queries on personal pieces. Generic generally means it was produced by a kiln, rather than by a single potter/decorator.

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